A Word After A Word After A Word

The previous week’s update highlighted a patchy performance but I’d still managed a few words – find out more here.

So, how has week 5 gone of my writing comeback?

I guess for anybody except a full time writer, scribbling opportunities will be ‘patchy’ to say the least. Full time writers, I would imagine, have just the same interruptions and distractions as the rest of us, not least from themselves – we can all procrastinate the time away….

I’m an expert of procrastination – Rob Deering on the excellent Running Commentary Podcast joked about writers taking to Twitter and using the hashtag #AMWRITING as opposed to, you know, actually writing! I can be guilty of this, although I do tend to wait for those times when I’m chuffed with myself for the progress I’ve made.

Writing doesn’t need to be complicated, in fact, it being something I do with my precious leisure time, it really should be a joy. And 90% of that time it is.

In the other 10% of the time, I try and remind myself how Margaret Attword tries to make the process of writing a little simpler:

A word after a word after a word is power.

I’m still not running (I know, I’m feeling a little bit sorry for myself!) due to this annoying foot injury, but I did have a run at DTDLLTO (Dogs That Don’t Look Like Their Owners – the working title of my first novel) last week. I found a state of flow several times in the short windows of opportunity I’ve had available, and have written about 2000 words. My first draft, or draft zero, or whatever you want to call it is now sitting at about 11,000 words.

I’m drafting away on my opening scenes, working across the first three chapters. I’m really happy with my two main characters, the setting and what we see them getting up to. When I come back, in however many months time, I’ll be looking to find a less clunky way for them to move to the next phase of the book, the meat of it. My story has quite a powerful and ever present back story which steers and, quite deliberately, hangs a shadow over the present day. I’ll be checking myself that I’m not shoe horning that back story into the narrative, rather letting the reader gradually piece it together for themselves.

There are three rules for writing a novel. Unfortunately, no one knows what they are.

W. Somerset Maugham

It really is sinking in now, the message that I’ve just got to get the story out of my head and on to paper – creating this draft zero – and then I can zone in and edit it in to shape. So many writers echo the sentiment: “You can’t edit a blank page.”

I’m also getting better at realising that it’s about the story, the thing that is in my head. As writer Steve Almond said recently on The Other PPL Podcast, the point is to create a body of work which reveals the truths behind my writing, not to try and impress with the size of my vocabulary!

AND – I’ve read some cracking flash fiction this week, not least in The Smokelong Quarterly Journal. They also often interview authors about how the pieces came about. I particulalry enjoyed the piece from Corey Farrenkopf recently and the follow up interview. Check it out, if that’s your thing.

So another week goes by.

It’s good, my journal has had plenty of use this week, I’ve listened to and read plenty of writing craft advice, I’m still reading the beautifully written To Paradise and whenever I get the chance, doing the one thing which will keep my projects moving forward, I’m turning up!

Onwards my friends, onwards.