The Writing Comeback (Week III)

It’s Not All About The Numbers

Ahh, the blog post you’ve all been waiting for.

Here goes – week three of my writing comeback. Not everything can be measured in numbers.

Not for me anyway. Pleasure should not be quantified, happiness isn’t counted. Not in our house.

There’s a great interview with Zac Smith on this week’s Other PPL Podcast where Zac and host Brad Listi talk about how the pleasure of writing comes in the writing! It sounds obvious but, again forgive my analogy, it is just like running – one step at a time, one word at a time – it clears my mind.

Thinking very much counts as writing โœ

What about progress? Surely I’ve always measured my running – longest distances, fastest times, PBs – and I’m guilty as charges I’m afraid. But it is till mainly about the feeling.

This reboot of mine (read this if you fancy) is all about BEING a writer and just as soon as my foot is healed, it will be about BEING a runner too

Of course I’ll be using numbers to measure my progress! Hopefully writing my estimated 90,000 words of the first draft of the novel, tentatively titled Dogs That Don’t Look Like Their Owners (DTDLLTO) by the end of the year. But a good stint of writing will still be successful, if it FEELS successful, regardless of how many words I get down on the page.

SO, for your (and my) pleasure, here’s week three’s progress (and yes there are some numbers!)

Monday: I finalised and posted two, count ’em, TWO blog posts – Click here to read all about the two months since Nicky and myself became vegans or here to catch up with last week’s writing update.

Making people on paper, much like making them in your uterus, takes a long time, is physically and mentally exhausting, and makes you wee a lot. So brace yourself, weโ€™re going in.

Writers HQ offering a reality check for the writer!

Tuesday: Busy McBusyface didn’t get chance to add words today.

Wednesday: On the timer, I managed 1100 words of the first draft of DTDLLTO. I also pre-ordered David Keenan’s latest offering today. It is a prequel to the extraordinary This Is Memorial Device (which I reviewed here).

Thursday: Busy trying to keep fit and then grandadding, so little time for words. The wonderful non-fiction journal, Hinterland dropped through the letter box today – I managed to read some of the excellent articles in there while little Charlie (the grandson, not the dog – I know it does make for some confusion having a pet and a 10 month old sharing a name) had a sleep.

Friday: Not feeling great. Ran out of time. Bit of noodling with Writers HQ working out how to join the virtual writers’ retreat.

Saturday: We had a bloomin lovely day out I’ll have you know. You can read about it just as soon as I’ve written the next blog post!

Sunday: Writers HQ Online Retreat. If you’re fancying doing a bit of writing and find yourself struggling for time (& money) have a rummage around their website. This was the first time I’ve done one of their writing retreats – which became online when that there pandemic arrived – and what a marvellous success it has been.

It just shows that prioritising writing, sitting at a desk which faces the wall, rather than having the laptop on my actual lap and sitting downstairs by a window, works a treat. For me, writing in chunks of time works so well. I did 5 sets of 30 mins of my novel today and wrote 2990 words of this first drafting. I’m just getting the story out and trying not to edit as I go!

Using my desk to lean on, you’ll be shocked to learn, is more productive than my lap!

A big chunk of wordsmithery time today paid dividends in more ways the number of words. I also started to get a richer understanding of the relationship between my two main characters, I found I could tap into a wider range of emotions, hopefully gradually changing between scenes. When I write in very small time windows, I find I force a feeling into a scene without the context of the scenes either side of it.

As the wonderful AL Kennedy says, once characters start developing through the act writing their lives, they will start to live in the writer’s head more. Thus revealing themselves in greater detail. I’m just letting these two show themselves to me as I go. They haven’t been created from nothing, in many ways they’ve been created from everything. And what a privilege it is to be their narrator.

A Certain Thought To Finish

Now here’s thing. A proper thing.

There’s a certain something about a certain writer. Or a certain podcaster. A certain friend, a certain relative or even a certain random character on Twitter. There is a certain something about these certain people which instantly inspires me to write. There certainly is.

You people know who you are ๐Ÿ™

Strange Flowers by Donal Ryan.

On a day off work, with our exercise, work and dog walking done, we enquire of each other “are we in?“.

Yes we are!

Gentle music on, dog snuggled on the sofa, books out. Interrupted only by the need to eat.

Our two-people-and-a-dog-book-club goes from strength to strength.

We very often end up enjoying the same books. If we time it right, we simply swap as we both close the cover on our latest reads.

Nicky has recently enjoyed Strange Flowers and was fairly certain I would too. “Quite different and exploring so much.” she described it to me. So, as Nicky got stuck into Deborah Orr’s childhood memoir, Motherwell, I set about Donal Ryan’s latest offering, Strange Flowers.

I recently heard the author, Donal Ryan interviewed on Radio 4’s Books And Authors and found him to be engaging, humble and quietly hilarious.

I wasn’t to be disapointed, it is an exquisite read.

If I wrote human beings even a hundredth as beautifully as Donal Ryan, I’d be a proud scribe. Ryan’s characters aren’t just fully formed, they’re multi-dimensional, you can feel them around you. He places them. I experienced the story from all angles, like being sat amongst the most subtle of surround sound systems, every voice pulls your attention in another direction.

Set in rural Ireland, the story starts in 1973 when Moll, the only child of Paddy and Kit, ups and disappears aged 20. The parents lead a simple life which is devastated with the gradual realisation that Moll may be gone forever, her fate unknown.

The pain suffered in the years after Moll’s disappearance, and the toil of Paddy and Kit’s life is deftly articulated. As they toil on through life, never recovering, one day Moll simply walks back through the door.

Where she has been, why she left, and what and who she brings back into the simple, rural life is a master class in plot and story telling. There’s no dramatic revelation, no big, attention grabbing scenes. The lives of those close to the family, the people Moll has been with while away, and those of the rest of the villagers are gently knitted together as beauty, tragedy and realisations ease into the story.

Donal Ryan, who has twice previously been long listed for The Booker Prize, tells of love in layers. He shows love for some can be delicate, fragile, brittle almost. But he also shows love at strongest, combined with loyalties which can suffocate. The way faith is threaded through the relationships and how religion can both dominate and soothe is also carefully and honestly portrayed.

It is a tale of people. In this small family, and those close to it, Ryan has held a mirror up to us readers and let us deal with our own instincts. The complexities of race, of religion, of status, class and ownership, of sexuality, of coming of age and of bravery and fear are all exposed. His telling of the characters gets the reader under the skin of their exchanges. The man knows people, he knows emotion. The novel oozes emotion on every page.

I found I needed to absorb every single word. to me there isn’t a wasted sentence in the book. It’s early in the year but if there’s going to be better reads than this in 2021, I’m going to be feasting on words. When the book ended, which it does with a gorgeous light touch, I found myself nodding and watery eyed but contented and almost wishing to go straight back to page one and devour it again.

I heartily recommend.

Check out what else I’ve been reading in 2021 and the books I enjoyed in 2020 too. If a book has grabbed me and time allows, I tend to write a few words about it.